Artist of New Guernsey Banknotes

As a winner of Guernsey's new banknotes competition in 2025, I feel deeply honoured to have been chosen as a designer and artist for Guernsey's new banknotes. My artworks will be featured on the back of all banknotes.

I entered a competition to share the story of the magical “Granite Rock” in the Channel Islands. Through my designs, I hope to help the world recognise and appreciate this beautiful island.

NEW IN THE COLLECTION | Guernsey Museums

“We are thrilled to announce the acquisition of two remarkable original drawings by Architect and Artist, Natasha K. HE. These new additions beautifully complement our art collection and reflect our ongoing commitment to support local artists and to collect the incredible contemporary works being made in our island.

Pictured are two exquisite original hand drawings; of the Guernsey Market Place and one of Victoria Tower. Both drawings exemplify Natasha's incredible attention to detail. The delicate and precise lines and markings come together to depict two of Guernsey's most iconic buildings. It is an absolute pleasure to accession these works into our diverse permanent art collection.”

– Guernsey Museums

Special Edition of Victoria Tower

Guernsey Museum has acquired the original drawing of “Victoria Tower.” This special edition was created using a combination of mixed media, incorporating pen and ink with digital art.

I have a deep appreciation for Guernsey pine trees, which inspired me to create a special edition of Victoria Tower. These trees are renowned for their irregular, wind-swept shapes, which showcase their resilience against the harsh coastal elements. Their long, twisted needles grow in pairs, and their large, sturdy trunks contribute to their unique character. I have captured these distinctive features by incorporating a pen and ink drawing of Victoria Tower, celebrating the beauty and tenacity of these maritime pines.

Transformation of An Institution

The site model demonstrates an overall concept of generating a notion of ‘architectural redemption’.

As the white represents the old and the blue stands for the new, a vivid contrast emerges among the old Victorian pitched roofs and the new Barrel vault volume.